Bringing together my fold out brochure took a lot of trail and error and decision making in its design. Initially I chose the theme ‘Street Art’ because I personally felt it suited me better compared to the other given themes as it allowed me to play with colour. Colour was an element that I was most drawn towards because I feel that it’s more important to grab the audiences’ attention than to initially bombard them with a lot of information. However in regards to what the fold out brochure has to offer, the purpose of its creation is to draw people’s attention towards the difference between legitimate street art and the criminal acts of graffiti.
Despite having to
cater to community users already given, I tried not to just limit myself to
them. For example, I chose Teachers as a community user because aside from
aiming this brochure towards the general audience of just adult teachers, I
could consider the facts that they are able to ascend this knowledge or
information from the brochure to younger and less knowledgeable audiences.
In considering
this, breaking down the given raw information became easier as a main priority
of the brochure was to educate the user strongly about the difference between
street art and graffiti. I basically decided to use the main headings from the
raw content like “political and social concerns” and transformed that into
headings with humour or elements of rhyme and pun. The language I chose to use
did not stray too much from the raw content. I simplified some of the sentence
structures and language to be able to match the intellect of my younger target
audience. “The secret of good writing is to strip
every sentence to its cleanest components” (Zinsser 1998) so I aimed for the information to be simple and
straightforward and to the point.
Again I didn’t
want to just push blocks of textual information onto the readers, to I draw
statistics from the raw content and collected accurate statistics from trusted
sites to be put into my brochure stylistically. I set them out on my second
last informative page (not including back cover) just to give the user a break
from the previous pages of information. I also incorporated colour into my
statistics just for the audience to take a break from the simple black and
white of the pages.
I was felt a little creative with the format and size of my brochure as
I found it challenging to work in the amount of information onto such a small
space. However Lank says “confrontation and the struggling between different approaches
and areas is conducive or even necessary for creativity”. Text and font wise, I limited myself
to three types of font for the entire brochure to minimalize the possibility of
my product looking messy and over done. The fonts I selected to make up my
brochure Minion Pro for the title and statistics, Kozuka Gothic for the body
paragraphs, Hand of Sean for headings and pull out quotes. I structured the
information in block paragraphs because it would be a lot more easily read
compared to playing with paragraphs shapes. I had to consider the flow of the
eye and what would be the most convenient to follow. Because the size of my
brochure is quite compact and small, I did allow myself to use a smaller font
size (8 pt) for the block content. However, 8 pt was the smallest I would allow
myself to go because if I did make the text any smaller, it would become
difficult to read, especially if the information product is to be photo copied
or resized over time. In doing so, the font size and size of my brochure also
contributes to my decision on making the background a plain white with black
font. I stuck towards contrasting shades and colours to enforce clarity and
legibility.
The graphics I
used for the product is suitably contemporary. Apart from the street art
depicted on the back of the brochure; I used a simple man figure for the
statistics just to add on to the simplicity in a way that it aesthetically
stylised.
I chose not to put
in the story from the raw content because I found that irrelevant to what I was
trying to portray with my information product. In doing so, this began my
thoughts on my layout and colour. Stylistically, I intended to create a smaller
product in physical size – something the audience is just able to conveniently
carry around and distribute. Due to the copious information I could use from
the raw content, I decided to set the brochure on the length of an A2 sheet (2
landscape A4) and have it folded zigzag into a smaller size to satisfy
convenience.
After the decision
on the size, I began hatching ideas on what I wanted on the brochure. I
initially wanted to break each of the squares (pages) folded to consecutive
picture and information, but because it folded out into a long strip, I found
that too messy and hectic to keep up.
I decided to make
the entire outside of the brochure a picture depicting Street Art. I wanted to
make this brochure something more than just a page of information. Not only did
I think this would capture the audiences’ attention more, but it appeared to me
to be more aesthetically pleasing with the power of vibrant colours. The
purpose of a brochure will be defeated if it was full of informative content if
nobody is going to care to read it. This enforces the fact that this evokes
genuine curiosity from the audience if the product doesn’t give away too much.
Also, the user can keep this information product and use the artwork image as a
poster or and item for enlightenment. So in a way, it has a level of
interactivity as the user is can now use this information product as the
brochure at the same time as promoting the information portrays a promotion for
street.